Ella Macens CV
Photo: Darwin Gomez
Cover photo: Tenis Dimants
ABOUT THE COMPOSER
Ella Macens is rapidly becoming one of Australia’s most distinctive and celebrated musical voices. Frequently commissioned by major orchestras and ensembles across Australia and abroad, her music fuses the lyricism of her Latvian heritage with the vibrancy of contemporary classical and popular styles. Her deeply evocative sound world has earned her growing recognition for its warmth, clarity and emotional immediacy.
Macens’ works have been performed by the Sydney, Melbourne, Tasmanian and Canberra Symphony Orchestras, the Flinders and Goldner Quartets, the Australian Haydn Ensemble, Omega Ensemble, Ensemble Apex, The Song Company and the Sydney Philharmonia Choirs, among many others. Internationally, her music has been heard with the Ulster Orchestra, State Choir Latvija, Seattle Youth Symphony Orchestra and Riga Cathedral Girls’ Choir.
Current commissions include a new work for the Melbourne Symphony Orchestra in celebration of the 50th anniversary of ABC Classic, and a new work for the Sydney Symphony Orchestra. Internationally, Macens is preparing to travel to Latvia for the European premiere of her wind symphony ‘Cloud Magic’, and to San Francisco for the performance of her orchestral work ‘The Space Between Stars’ with the San Francisco Symphony, to be conducted by Simone Young AM.
A graduate of the Sydney Conservatorium of Music, where she now teaches composition, music theory and aural skills, Macens has been selected for numerous national development programs, including Composing Women (Sydney Conservatorium of Music) and the Tasmanian Symphony Orchestra Australian Composers’ School. Her orchestral works have received wide acclaim, with her Sydney Symphony Orchestra commission Release named a finalist in the 2023 APRA AMCOS Art Music Awards (Work of the Year: Large Ensemble).
Drawing inspiration from Baltic choral traditions and Australian soundscapes, Macens’ music celebrates the intersection of cultures and the shared emotional power of song. Her achievements have been recognised by the World Federation of Free Latvians, the Latvian Federation of Australia & New Zealand, and Fine Music FM’s Young Composer Award, affirming her position as one of Australia’s most promising creative voices.
Education & Employment
Bachelor of Music (Composition), First Class Honours - Sydney Conservatorium of Music (2011-15).
Master of Music (Composition) - Sydney Conservatorium of Music (2016-22).
Lecturer, Tutor, Unit of Study Coordinator - Sydney Conservatorium of Music, University of Sydney (2017-2023).
Associate Lecturer in Composition - Sydney Conservatorium of Music, University of Sydney (2023-present).
Macens completed a Bachelor of Music (Composition) with first class honours at the Sydney Conservatorium of Music, The University of Sydney in 2015, before completing a Master of Music (Composition) under the guidance of Professor Matthew Hindson AM in 2022. In 2023 she was appointed Associate Lecturer in Composition at the Sydney Conservatorium of Music.
Awards
Macens’ musical voice is heavily influenced by her Latvian heritage. Growing up in a rich and vibrant Latvian community has led her to be continuously surrounded by instrumental folk music and baltic choral music. These elements have unsurprisingly woven their way into her compositional style. In 2017 she received a prestigious award from the World Federation of Free Latvians (PBLA) to honour her dedication to her cultural heritage, specifically through the incorporation of Latvian elements in her professional line of work. In 2020 she received an award of similar sentiment from the Latvian Federation of Australia & New Zealand (LAAJ), and in 2021 was awarded the Andra Ritmana Creative Future Memorial Fund award.
Other awards include inclusion in ENCORE (2009), the Frank Hutchens Scholarship for Composition (2012) and the Fine Music FM Young Composer Award (2017) for her first orchestral piece titled ‘FLIGHT’. In 2023 Macens was a finalist in the APRA AMCOS Australian Music Centre Art Music Awards in the category Work of the Year: Large Ensemble for her Sydney Symphony Orchestra 50 Fanfares commission titled ‘RELEASE’. In 2025 her orchestral work ‘THE SPACE BETWEEN STARS’ was voted one of the top 25 Australian art music works in Limelight Magazine’s 25 in 25 initiative.
Residencies
Macens has held composition residencies with the Australian Haydn Ensemble, Sydney Youth Orchestra, Sydney Children’s Choir, Trinity Grammar School (Sydney), International Grammar School (Sydney) and Presbyterian Ladies’ College (Sydney). In 2016 she was one of four composers selected to participate in the Sydney Conservatorium of Music Composing Women program, through which she fostered strong connections with leading Australian ensembles, soloists and arts organisations. In 2018-19 she was one of four composers selected to participate in the Tasmanian Symphony Orchestra Australian Composers' School. In 2019 she was a featured composer at the Bowral Autumn Music Festival, and in 2020 was selected as the Flinders Quartet Emerging Composer in Residence. In 2022 her work ‘The Space Between Stars’ was nominated for the Sydney Symphony Orchestra People's Choice Concert, as selected by Chief Conductor Simone Young AM. In 2025 she was the resident composer for the Australian Haydn Ensemble.
Performances
For a full list of past and upcoming performances, please click here.
Selected Works
THE SPACE BETWEEN STARS (2017) for Symphony Orchestra
Composed for Tasmanian Symphony Orchestra.
Duration: 13mins 20secs.
Premiered by the Sydney Conservatorium of Music Symphony Orchestra (Eduardo Diazmuñoz, 2018).
Subsequent performances: Sydney Symphony Orchestra (Jessica Cottis), Sydney Youth Orchestra (Leonard Weiss), Melbourne Symphony Orchestra (Vanessa Scammell), Brunel Sinfonia (Mark Gateshill), Seattle Youth Symphony Orchestra, West Coast Philharmonic & WA Wind Symphony (Samuel Parry), Australian Medical Students' Orchestra, NSW Doctors Orchestra (Joanna Dramatis), Ku-ring-Gai orchestra (Luke Spicer), National Capitol Orchestra (Louis Sharpe), Preston Symphony Orchestra (Andrew Groch), Melbourne Symphony Orchestra (Ben Northey), Sydney Youth Orchestra (Stephen Williams).
Upcoming performances: San Francisco Symphony (April 2026, Simone Young).
Watch/Listen: Click here.
MY HEART ON YOURS (2025-26) for Symphony Orchestra
Commissioned by the Melbourne Symphony Orchestra and the Australian Broadcasting Corporation.
Duration: 13mins 40secs.
Premiered at the ABC Classic 50th Anniversary Concert, Sidney Myer Music Bowl, Melbourne (February 2026).
Watch/Listen: Click here.
CLOUD MAGIC (2024) for Wind Symphony
Commissioned by the Sydney Conservatorium of Music Wind Symphony.
Duration: 12mins 20secs.
Premiered in Sydney, Japan and South Korea (Nov/Dec 2024).
Upcoming performances: Orchestra RIGA (April 2026).
Watch/Listen: Click here.
NOVAKARE (2022) for SATB Choir and Piano
Commissioned by the 58th Australian-Latvian Arts Festival.
Duration: 6mins 45secs
Subsequent performances: Sydney Intervarsity Choral Festival Choir, Sydney Conservatorium of Music Chamber Choir and Combined Choir.
Watch/Listen: Click here.
RESTING WITH ANGELS (2016) for String Quartet
Composed for the Goldner String Quartet.
Duration: 11mins
Subsequent performance: Australian Chamber Orchestra, Goldner String Quartet, Ensemble Apex, Penny Quartet, Strelitzia String Quartet.
Watch/Listen: Click here.
A LOVE WORTH FIGHTING FOR (2020-21) for String Quartet
Commissioned by the Flinders Quartet.
Duration:
Subsequent performances: Canberra Symphony Orchestra, Phoenix Collective.
THE LAKE (2019) for String Orchestra
Commissioned and Premiered by the Willoughby Symphony Orchestra.
Subsequent performances: Melbourne Symphony Orchestra, Ulster Orchestra, Ensemble Apex, Bourbaki Ensemble.
Duration: 7mins 8secs.
Watch/Listen: Click here.
SVESAS ZEMES VEJS (WIND FROM A FOREIGN LAND) (2016) for SATB A Capella Choir
Commissioned by State Choir LATVIJA (Maris Sirmais).
Duration:
Watch/Listen:
Subsequent performances: Cesis Castle Choir
THROUGH THE MIST (2025) for Piano Quintet
Commissioned by Omega Ensemble.
Duration: 21mins 15secs.
Premiered in Sydney and Melbourne, Australia (Nov/Dec 2025).
Listen: Click here.
AR DIEVINU (2015) for SATB A Capella Choir
Commissioned by Latvian choir Pernigele.
Duration: 6mins 15secs.
Watch/Listen: Click here.
Subsequent performances: Sydney Conservatorium of Music Chamber Choir, Bel a Cappella.
JURIN PRASA SMALKU TIKLU (2023) for SSAA Choir
Commissioned by the Riga Cathedral Girls’ Choir TIARA (Aira Birzina).
Duration: 4mins 25secs
Listen: Click here.
THE BRIGHTEST STAR IN THE NIGHT (2023) for Piano Trio
Commissioned by the Peteris Vasks Fund.
Duration:
Subsequent performances: Muses Trio.
Listen to Movement I: Click here.
Listen to Movement II: Click here.
FALLING EMBERS (2019-20) for Solo Vibraphone and Crotales
Commissioned by Claire Edwardes and the Bowral Autumn Music Festival.
Subsequent performances: Alejandro Martín, Alex Petcu, James Vilseck, Shu-Hsuan Wang.
Duration: 6mins 30secs.
Watch/Listen: Click here.
RELEASE (2020-21) for Symphony Orchestra
Commissioned and Premiered by the Sydney Symphony Orchestra.
Subsequent performances: Sydney Symphony Orchestra, Queensland Symphony Orchestra, Willoughby Symphony Orchestra.
Duration: 7mins 8secs.
Watch/Listen: Click here.
VECMAMINA SVESUMA (GRANDMOTHER IN A FOREIGN LAND) (2016) for SATB A Capella Choir
Commissioned by State Choir LATVIJA (Maris Sirmais).
Duration:
Watch/Listen:
Subsequent performances: Cesis Castle Choir, the XV Canadian Latvian Song and Dance Festival Mass Choir and Orchestra, Maple Leaf Gardens, Toronto, Canada.
Contact Details
Address: 65 Cobran Road, Cheltenham NSW, Australia 2119.
Email: ella.macens@sydney.edu.au
Phone: +61 499 179 644
Website: www.ellamacens.com